Creative Writing Curriculum Proposal Accepted!

My proposal for a new Creative Writing curriculum here at Centenary University went for a full faculty vote today and was accepted. The proposal was fourteen pages, so I’ll only share the new courses, their descriptions and their goals below. NEW COURSES WRI 2005: Intro to Creative Writing WRI 2040: Writing Poetry WRI 2041: Writing […]

“Pop Art” Writing Exercise for my Online Prose Workshop

Last week, my Online Prose Workshop read “Hepburn and Garbo” (pgs. 151–165) and “Ten Notes on Oscar Weekend” (212–221) in Zadie Smith’s Changing My Mind; “Upon This Rock”  from John Jeremiah Sullivan’s Pulphead;  and “Looking Around” from Anne Lamott’s Bird by Bird. They then completed the following reading discussion: Changing My Mind is a series of occasional essays. Select one of Smith’s essay […]

Writing Exercise: “View-master” for Online Prose Workshop

Last week, in ENG 2016OL: Online Prose Workshop, my students read “One Week in Liberia” and “Speaking in Tongues” (pgs. 110–148) of Zadie Smith’s Changing My Mind. Read “Damn Cold in February: Buddy Holly, View-master, and the A-Bomb” by Joni Tevis and Creative Nonfiction Primer on Moodle. They then completed the following writing exercise on a discussion forum.   Writing Exercise: “View-master” […]

Introductions and the Alias of Imagination for First Day of Craft of Prose

Note: In an effort to keep this blog updated regularly, I’m going to be storing my writing exercises and handouts in my Google Drive. I will post these exercises as a link here. This single document includes two components: An introduction questionnaire, allowing students to tell me a little about them, their needs, and their […]

Course Descriptions & Reading Lists for ENG 2015: Poetry Workshop & ENG 2016: Prose Workshop

ENG 2015: POETRY WORKSHOP Instructor’s Course Description American poet C.D. Wright once wrote: “If I wanted to understand a culture, my own for instance . . . I would turn to poetry first. For it is my confirmed bias that the poets remain the most ‘stunned by existence,’ the most determined to redeem the world […]

“The Craft of Prose” Fall 2015: Course Description, Required Texts, and Grade Requirements

Instructor’s Course Description As a means of exploring the craft of prose writing, we will read, analyze, and imitate two living writers: Chimamanda Ngozi Adichie and Jesmyn Ward. By reading two, book-length works by each writer—a short story collection and book-length essay by Adichie and a novel and memoir by Ward—we will see how these […]

“Babylon: A Place You’ve Only Heard Of” Exercise

Class: Introduction to Creative Writing (The College of William & Mary) Genre: Nonfiction Purpose: To examine how place becomes setting and to cultivate an “outsider’s” point of view Readings: “Goodbye to All That,” “Babylon,” and “No Man’s Land” from Eula Biss’s Notes from No Man’s Land and “Goodbye to All That” by Joan Didion   Think […]