“Babylon: A Place You’ve Only Heard Of” Exercise

"Abbildung der Stadt Babylon" ("Picture of the City of Babylon"),  Erasmus Francisci, copper engraving on paper, 1680
“Abbildung der Stadt Babylon” (“Picture of the City of Babylon”), Erasmus Francisci, copper engraving on paper, 1680

Class: Introduction to Creative Writing (The College of William & Mary)
Genre: Nonfiction
Purpose: To examine how place becomes setting and to cultivate an “outsider’s” point of view
Readings: “Goodbye to All That,” “Babylon,” and “No Man’s Land” from Eula Biss’s Notes from No Man’s Land and “Goodbye to All That” by Joan Didion

 

  1. Think about a city or country that you’ve never heard of but have never been to. This can be a real (Saigon), mythic (Troy), or imagined place. Describe what you know or imagine to know about this place. Write for 5 minutes.
  2. Now think about your hometown. Describe it as you remember it, including the homes, the landscape, the stores, the values, etc. Write for 5 minutes.
  3. Write a paragraph that considers similarities between the place you’ve never been and your hometown. Write for 3 minutes.
  4. Is there something notable or notorious about your hometown? Write for 3 minutes about how outsiders might view your hometown. Is there something unique to your hometown and therefore strange to outsiders? Would an outsider have prejudices against your hometown? Write for 3 minutes.
  5. How might you be like the outsider with the place you’ve never been? Write a meditation on these similarities for 5 minutes.

Homing In On Home Exercise

Garage met Chauffeurswoning te Zandvoort (1916) by Guillaume Frédéric la Croix
Garage met Chauffeurswoning te Zandvoort (1916) by Guillaume Frédéric la Croix
Class: Intro to Creative Writing
Genre: Creative nonfiction
Readings: “Notes from a Native Daughter,” “Los Angeles Notebook,” and “Goodbye to All That” by Joan Didion; “Bread” by Jane Brox
Time: 24 minutes

1. Describe the home you spent the most time in as a child including its location, distinctive features, the people, the food, the weather, etc. Be as thorough as possible. (7 min.)
2. Is there something that people often assume about the place that isn’t true? Write an anecdote about a time that someone made a presumption about where you were from. (i.e. Every evening while I had bronchitis I stopped at a pub in Mayfair to have a shot of Jack Daniel’s to ease my coughing before bed. The first night, the bartender asked to see my ID. When I handed him my Tennessee driver’s license, he said, “A Tennessee girls drinks Tennessee whiskey,” and, laughing, “Do you like your country music too?”) (5 min.)
3. Why do you think that outsiders often assume these things about your home? Speculate about why that is, how long that’s been true, and if it will continue to be true. Why or why not? Use this as a means to tell us a little bit of history about the place you grew up. You can use historical facts, family stories, gossip, rumors, etc. (7 min.)
4. If you weren’t from the area, how would you view your hometown? Would you visit or move there? Consider several possibilities. (5 min.)

This exercise allows students to look at a subject from different angles as well as helps them access something personal through exterior descriptions. In much the same way that they saw Didion revealed through the places she talks about (California’s Central Valley, Los Angeles, and New York), students should realize that, by the details they choose to talk about and the perceptions they reject or defend, they do some work to define themselves as well as the place, subject, and—perhaps most importantly—a conflict.

Three Places Exercise

    The Hermit Saints Triptych (1490s) by Hieronymus Bosch
    The Hermit Saints Triptych (1490s) by Hieronymus Bosch
    My Intro to Creative Writing class discussed Joan Didion’s “Slouching Towards Bethlehem,” “On Morality,” and “On Going Home” with regard to what they learned from the “Creative Nonfiction” and “Setting” chapters in Janet Burroway’s Imaginative Writing. After, they jumped into this exercise about place and how external details reveal internal information.

    1. Write about entering a place that’s incredibly familiar to you (your dorm room, your car, etc., but not this classroom.) What do you notice? Use only concrete descriptions. Avoid emotional responses and abstractions. (5 min.)
    2. Think of a time in which you returned to a place that was once familiar to you but to which you hadn’t been in a long time. (A childhood home, your old school, etc.) Write a scene in which you describe only your physical surroundings as you enter that place. What’s changed? What’s different? Compare and contrast your memory of the place with its current state. (5 min.)
    3. Now write a similar sort of description about a time in which you entered a new place, particularly one in which you weren’t comfortable or one that has a culture that is unfamiliar to you (like Didion going into the Haight). Again, focus only on concrete details. (5 min.)
    4. Read aloud your three entries. The class will then vote on which one was more immersive, compelling, and detailed.
    5. Reflect: Why did the class choose that one? Did you write more about one than the others? If so, why do you think that is? As a reader, which one of these is more interesting to you? Why? Which one was the hardest to write? Why?

    Overwhelmingly, the class chose either the second or third description as both seemed to reveal an internal conflict—the sense of something lost/irreparable or alienation. The best part is that the students didn’t write about these internal conflicts at all; rather, it was entirely implicit in the concrete details.