My Intro to Creative Writing class discussed Joan Didion’s “Slouching Towards Bethlehem,” “On Morality,” and “On Going Home” with regard to what they learned from the “Creative Nonfiction” and “Setting” chapters in Janet Burroway’s Imaginative Writing. After, they jumped into this exercise about place and how external details reveal internal information.
1. Write about entering a place that’s incredibly familiar to you (your dorm room, your car, etc., but not this classroom.) What do you notice? Use only concrete descriptions. Avoid emotional responses and abstractions. (5 min.)
2. Think of a time in which you returned to a place that was once familiar to you but to which you hadn’t been in a long time. (A childhood home, your old school, etc.) Write a scene in which you describe only your physical surroundings as you enter that place. What’s changed? What’s different? Compare and contrast your memory of the place with its current state. (5 min.)
3. Now write a similar sort of description about a time in which you entered a new place, particularly one in which you weren’t comfortable or one that has a culture that is unfamiliar to you (like Didion going into the Haight). Again, focus only on concrete details. (5 min.)
4. Read aloud your three entries. The class will then vote on which one was more immersive, compelling, and detailed.
5. Reflect: Why did the class choose that one? Did you write more about one than the others? If so, why do you think that is? As a reader, which one of these is more interesting to you? Why? Which one was the hardest to write? Why?
Overwhelmingly, the class chose either the second or third description as both seemed to reveal an internal conflict—the sense of something lost/irreparable or alienation. The best part is that the students didn’t write about these internal conflicts at all; rather, it was entirely implicit in the concrete details.